Sunday, August 14, 2016

Concluding Post: Dead Poets Society

“Carpe, carpe. Carpe diem. Seize the day, boys. Make your lives extraordinary,” whispers teacher John Keating to his students his first day teaching English at Welton Academy in 1959. While the students listen to his words skeptically, they soon become inspired to seize their futures. His students use poetry in their lives to woo girls, express their feelings, and pursue their true passions. Unfortunately, seizing the day is taken too far by one student. This tragedy leads to the untimely firing of Keating. In the movie Dead Poets Society, Keating, portrayed by the great Robin Williams, has inspired generations of teachers with his creativity and innovation in his practice and the connections he forms with his students. We can all aspire to incorporate this into our teaching. On the other hand, we can improve on Keating’s shortcomings to become a truly outstanding practitioner.

Today's educators praise the majority John Keating's instructional methods. First, Keating values creativity and innovation in his lesson planning. He rejects the traditional poetry textbook and rating scale for creating a relevant curriculum that connects to his students’ lives. As a Spanish teacher, I see the value of Keating’s ideas. Often foreign language textbooks are driven by grammar and vocabulary. They do not give students a meaningful purpose for using the language. Instead, we should create a communicative curriculum. Vocabulary and grammar should be taught in a communicative context. For example, we should not teach adjectives and the verb “ser” in isolation. They need to be taught together for the purpose of describing others. ACTFL encourages teachers to reject the textbook to make our subject more communicative and meaningful. Second, Keating uses hands-on activities that support kinesthetic learners. He has students walk in the courtyard to teach the importance of opposing conformity. Students kick a soccer ball while reading poetry verses and stand on Keating’s desk to gain a new perspective. In my classroom, I use brain breaks to get students moving. Brain breaks help regain students’ focus and attention. I also enjoy providing my students with manipulatives. On the first day of learning how to conjugate -AR verbs, students practice dropping the -ar ending off the verb and adding the appropriate ending. Moving the pieces around prepares students for conjugating -ar verbs in writing and in speaking. Most notably, Keating focuses on helping his students develop their individuality. He uses poems such as “The Road Less Traveled” by Robert Frost to show the importance of choosing your own path, not the one that is most popular. Keating even encourages students to express themselves through poetry. Todd, a shy, introverted boy comes out of his shell as he sounds a barbaric yawp. Keating prompts Todd ever so slightly to help him write an impromptu poem in front of the class. Several students are inspired to revive the Dead Poets Society. In an off-campus location, students meet to share poetry that inspires them or read their creations. Keating wants his class to follow their passions, rather than follow the expectations of their parents. Neil pursues his new love of acting by performing in A Midsummer’s Night Dream. Keating is so supportive of Neil’s dream that he organizes an outing to attend the play. He respects Neil’s desire to choose his path. He does not want Neil to conform to the demands of his parents. Treating students as individuals and offering them freedom of choice is a value our culture emphasizes. We teach and support the individual student instead of the whole group. Teachers differentiate their instruction so that they challenge each student appropriately. We accommodate students with IEPs or 504 Plans giving extensions or modified assessments as needed. When developing activities, teachers offer students different options. Students can practice a skill or complete an assignment in a way that fits their particular interest.

Despite all of Keating’s successes in the classroom, his methods still face a variety of critique. In the movie, the Headmaster Nolan is Keaton’s biggest critic. He desires an orderly, disciplined classroom that does not question authority. Because of Keating’s unorthodox methods, Nolan often has frustrated looks. He is very disturbed when the students inform him that they ripped out pages in their textbook and did not follow the set curriculum. Today’s educators can find different critiques of Keating’s teaching. Keating is not a culturally inclusive instructor. This type of teacher designs a curriculum that educates minority students about themselves and finds ways to ensure that others know about them too (Martin 56). Teachers bring new voices and perspectives into the classroom through culturally relevant literature (Martin 209). It is important to be a culturally inclusive educator because “a nation with as diverse a population as ours does not need a unified curriculum nearly as much as it does a unifying one” (Martin 57). Despite his vast creativity in lesson planning, he fails to provide his students with a variety of perspectives with the poems he chooses. Keating’s classroom is full of white male students who may not have had the opportunity to interact with a diverse group of people. They attend school with similar-minded young men. Keating could have used this opportunity to open his students to the world. Learning about Shakespeare is important, but students’ knowledge could have been enhanced by reading the works of Federico García Lorca. His play, La Casa de Bernarda Alba, explores themes of oppression of women and authoritarianism. The students of Welton would benefit from the perspectives of women and, in the process, learn about society in Spain. In addition to poems of Whitman and Frost, Keating could include some poetry by Langston Hughes. A poem like Let America Be America Again would give his students a new perspective on African Americans as the civil rights movement was approaching in the 1960’s. Instead of these cultural ideas, he just used literature written by white males of European descent. In our increasingly global world, we must teach our students to interact with people of different backgrounds. Appreciating perspectives of others strengthens empathy and understanding. Next, Keaton isolates himself from his colleagues. He is only seen working by himself. As a new teacher to the school, collaborating with the other teachers would have eased his transition to the rigorous environment. Like Keaton, I recently have been a new teacher at several schools. I owe much of my successful school years to my helpful colleagues. I formed positive relationships, brainstormed activities and assessments, asked questions, and shared ideas with my Spanish team. While this was occurring, my colleagues appreciated the creativity, new ideas, and hard work that I brought to the department. If I made a mistake or was not sure how to handle a situation, I always had a veteran teacher to help me. Collaboration is strongly promoted by schools now. If teachers isolate themselves, they receive criticism for their lack of contribution. I would highly recommend that all new teachers do not follow Keating’s lead and find a collaborative mentor. Last, Keating did a poor job of communicating with parents. Today, teachers are expected to email parents regularly with announcements and reminders. Once a student shows signs of academic struggle or poor behavior, teachers must individually contact parents. Parents of students who appear to self-harm or have medical emergencies are contacted immediately. Keating did not reach out to any parents during his time at Welton. Before Neil committed suicide, perhaps Keating observed some signs of depression. If Keating could have contacted his family, or even informed someone at the school, maybe Neil would not have died.

Schoolhome, a word inspired by the philosophies of Maria Montessori, provides “a safe and secure, supportive and nurturant environment for children” (Martin 13). Once homes stop teaching lessons, the school needs to take its place (Martin 18). Welton Academy, a fictional East Coast private boarding school, serves primarily white males from extremely wealthy families. It could be a great environment to implement the Schoolhome. Unfortunately, Welton only chooses to emphasize the home lessons of discipline. Parents are not around to teach their children what is right and wrong, so the school takes on that responsibility. Desks are placed in vertical rows to promote an authoritarian style classroom. After Charlie writes an article on behalf of the Dead Poets Society, Headmaster Nolan demands that Charlie reveals the others involved in the club. Charlie refuses to give the information. As a result, Nolan physically beats Charlie and tells Keating that his students should never question authority. These actions show that Welton is far from the supportive, nurturing Montessori Schoolhome. Furthermore, Montessori advocates helping students figure things out on their own, rather than the teacher just telling students the answer (Martin 11). At Welton, teachers lecture on a subject while students frantically jot down notes. The textbook is the primary source of curriculum inspiration. Students memorize information for the purpose of answering test questions, not for any practical applications. In her Schoolhome, Montessori desired to remove the barriers between the school and world. Members of the community were invited into the school to share their skills (Martin 11-12). Highly educated teachers work at Welton, but no community members offered unique insights to students.

Attending a boarding school now is different than in Dead Poets Society. Boarding schools are more affordable than they were in the past. In fact, they offer substantial financial aid to low-income families. A greater population of diverse students exist, too. Today’s boarding schools better exemplify the Schoolhome philosophy of a supportive, home-like environment. While top American boarding schools are still academically rigorous, there is now a concern for the development of the child, rather than just the student. Boarding schools offer music, theater, and athletic activities to support interests outside of the classroom. Students participate in work-duty programs and volunteer in community service. These opportunities were unavailable to students like Neil in Dead Poets Society who had to travel off campus to take part in the play. Another student, Meeks, constructed his own radio, but he hid this from the school. Classrooms at top boarding schools are unrecognizable to Welton. Harkness tables have replaced individual desks in rows. At schools such as Phillips Exeter Academy, 12 students and the professor sit at oval tables. Together they collaborate to understand the material. The teacher is not far superior to his class. All students’ opinions are valued. Montessori would enjoy watching these classrooms. In a Schoolhome, many teachers feel like they are “mother” to their students providing them with care and concern. Both public and private schools employ counselors and social workers to discuss anxiety, adjustment, eating disorders, and more with students. Teachers are also available to offer help. Schools in the past did not provide many resources to help the emotional development of students. At my school, teachers run a Freshmen Advisory Program to assist incoming freshmen. During first semester, students learn how to navigate high school and see all of the available resources. The guidance department supports several groups for girls and boys. Following Neil’s death in the movie, the students were not given any resources to cope with the death of their friend. They continued their regular schedule with no time for mourning. After a tragedy occurs in today’s schools, teachers are asked to look out for students and suggest speaking with the social worker. Our principal sends emails to teachers detailing the student, the nature of the tragedy, and what we can do to support them.

As I reflect on John Keating’s instruction at Welton Academy, I aspire to teach like him. When the viewer watches his lessons, it is hard not to become inspired just like his students do. I respect the creativity and enthusiasm that he brings to class every day. He connects with students individually, knowing them as students and people. What I most admire about Keating is his lasting impact on his students. Keating inspired Neil so much that he pursued a passion for acting. At the end of the film, students stand on their desks shouting, “O Captain, My Captain” to show their solidarity and respect for Keating. His students may forget the poems they read in their English class, but they will never forget the positive way he treated them or how he brought out the best version of his students. I hope that I can make a small impact on my students before they leave my class.

It is quite possible for me to implement several of Keating’s practices into my teaching this upcoming school year. Keating showed how poetry is relevant to students’ lives and emotions. It is important for me to show my students why Spanish is such an important language to study. With the growth of Spanish-speakers in the United States and the globalization of our world, people gain more travel and employment opportunities when they know Spanish. Students develop a global perspective and cultural understanding. To highlight these benefits, I created a “Reasons Why You Should Learn Spanish” PowerPoint to share with my students on the first day of school. Also, when I start a new chapter, I can detail how students could use the vocabulary and grammar in the real world. For example, students may not be excited to learn clothing vocabulary. But if I mention that students can use this vocabulary to buy clothes at a store or market in Spain, they may see the importance of that topic. I am not a parent yet, but Keating’s lessons have shown me the importance of allowing children to become individuals. It can easy for a parent to think they know what is best for their children and push them in a particular direction. Dead Poets Society shows how parental control over children can have serious consequences when Neil commits suicide. If I become a parent, I need to support my children in their endeavors. I must help them develop their identity. I can provide them with advice on what I think is best, but ultimately children need to make that decision on their own.

Although I am very inspired by Keating, I want to improve on some of his shortcomings. I design my lessons using the ACTFL 5C’s of Foreign Language Instruction. Two of these standards are culture and connections. We need to provide our students with the perspectives of different cultures and help students make connections to other places. I must be a culturally inclusive teacher. I never want to isolate myself in the department. While I embrace the communicative teaching method of teaching Spanish, not all of my colleagues have felt the same way. We might disagree on some philosophies, but I still make an effort to share and collaborate with my Spanish team. I hope to improve on communicating with parents. Sometimes I can be intimidated to call parents or struggle to find the time to write several emails. Keating’s lack of parental communication shows the very extreme example of what terrible things could happen to a student. In addition to monitoring academic performance, it is my responsibility to look out for the mental and physical health of my class. It would be hard to accept that something negative happened to a student on my watch.

John Keating is an outstanding teacher in many ways. His creativity, innovation, and connections to students are valued by teachers in the United States. Armed with lessons on individuality and expression of emotion, students will never forget Keating. I aspire to incorporate many of Keating’s teaching strengths into my practice this school year. However, Keating is not a perfect teacher. He would benefit from becoming culturally inclusive, collaborating with colleagues, and communicating with parents. Perhaps with these improvements, Keating can seize the day and make his teaching practice extraordinary.

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